Based around a core of Rob Woodward (lead singer, keyboards) and Nigel Fletcher (drums), they brought in other musicians to help them develop their music. Strongly influenced by Joe Meek, Rob and Nigel concentrated on home recording, experimenting with tape speeds and obtaining weird (but sometimes wonderful) sounds from the group’s instruments.
Releasing several singles their first taste of success came with a Top of the Pops appearance playing “Edna” in June 1970. This was followed by an appearance on “Lift Off With Ayshea” in October with their next release “Smokey Mountain Rhythm Revue”.
However this was to be the pinnacle of Stavely Makepeace’s chart career and by the middle of 1971 the band had been released from their Concord contract. Rather than a set back Rob and Nigel used this opportunity to take on a new identity. With the aim of producing primarily instrumental music with a ‘tongue in cheek’ appeal Lieutenant Pigeon was born as a two piano, bass guitar and drums combo.
When the same thing happened to a new Stavely Makepeace recording it looked like Rob and Nigel had finished their assault on the charts. Saviour’s come in many shapes and forms and for Lieutenant Pigeon it was a combination of Chris Tarrant and a Belgian News programme. While Chris was sent to interview some of Stavely Makepeace about the home recording studio they used for ATV, a Belgian programme had been using “Mouldy Old Dough” as its intro for some months. With Chris reminding the public of the group and Belgian interest in the News theme sending the single up the local charts (eventually to Number 1) the time was ripe for a re-issue of “Mouldy Old Dough”. This time it was a success, selling in excess of two million copies worldwide, becoming the biggest selling British hit of 1972 and winning Rob and Nigel the Ivor Novello award for
While Lieutenant Pigeon played some small tours, made further television appearances and released further singles they never truly repeated the success of their first classic release.
